The Duke and The King
The Cluny, Newcastle, 26 April 2010

Every so often you get blown away by a band, and tonight was one of those occasions. I might not even have been here tonight had Danny and the Champions of the World not been on the supporting bill. The always-entertaining Danny (operating in reduced circumstances with opening act Trevor Moss and Hannah-Lou joining him for a stripped-down set) was great, but The Duke and The King were even better – undoubtedly one of the best bands I’ve seen up here for years.

Originally a side project for Simone Felice of The Felice Brothers, The Duke and The King (named after a pair of travelling hustlers in The Adventures of Huckleberry Finn) has now become Felice’s priority, and seem destined for very great things. Felice (The Duke) and Bobbie Bird Burke (The King) recorded debut album Nothing Gold Can Stay in a one-room woodstove-heated cabin. It’s a good album – warm, catchy Americana – but it becomes really great in a live setting.

Adding Simi Stone and Nowell Haskins to become a four-piece takes the songs to another level. All four are outstanding vocalists, combining voices to produce outstanding harmonies, and the swapping of instruments and singing duties gives the set real variety.

Opener If You Ever Get Famous starts as folky Americana with Felice’s voice and guitar, adds Stone’s fiddle, Haskins’s drums and Burke’s bass, and builds into a glorious, harmony-fuelled gospel-soul number.

Then it’s straight into The Morning I Get To Hell, with audience participation encouraged and gained. The setlist is great – the cream of the album, plus a couple of Felice Brothers songs – Don’t Wake The Scarecrow and Radio Song – and a few nice cover versions.

One of the many highlights is a wonderful sing-a-long version of Neil Young’s Helpless, which has Danny and The Champions and the majority of the audience joining in. But the most surprising moment is when Haskins (aka Reverend Loveday) goes centre stage to perform a jaw-dropping acapella version of Sam Cooke’s A Change Is Gonna Come. This guy’s amazing voice gets a huge roar of approval from the Cluny crowd, so loud it must be heard all along the Tyne.

The fact that these guys seem to be enjoying themselves a great deal only enhances the evening. It felt like a privilege to be here tonight, seeing a band that in a more perfect world would be on every iPod in the land. That day may come, but until then we can feel incredibly lucky to have seen a band with so much talent it could barely be squeezed into this tiny venue.

The album Nothing Gold Can Stay is on Spotify.
A fantastic live session can be downloaded free from Daytrotter.
A Later… performance of The Morning I Get To Hell is on YouTube.

Music Danny and the Champions of the World, The Duke and The King

Phew, what a relief. After the trauma of relegation 12 months ago, Newcastle United have returned to the Premier League at the first time of asking, securing the Coca Cola Championship title with a 2-0 win at Plymouth last night.

After being deservedly demoted from a relatively poor top flight last season, with a raft of sub standard players on the pitch, no manager off it, and destabilising uncertainty involving the ownership of Mike Ashley, few predicted the Magpies would make such a swift return to football’s promised land. Instead, a financially crippling extended stay in the lower leagues was forecast, and the entire future of the club was placed in doubt.

However, instead of rolling over and going to sleep, Newcastle United has fought back and righted a lot of wrongs. And full credit must be given to Chris Hughton and the players. A lot of criticism was flung at them last season, much of it deserved, as the relegation inarguably proved. But they have taken a long hard look at themselves, rolled up their sleeves, and restored their pride.

A major turning point looked to be the shocking 6-1 pre-season defeat to Leyton Orient. Managerless, up for sale, and with any player of value being offloaded, it appeared things couldn’t get much worse. But, somehow, the remaining players came together. A hard-fought 1-1 draw at West Brom on the opening day of the season proved they weren’t about to lie down. And things improved from there.

It hasn’t always been pretty. The team got into a routine of scrapping out results without playing particularly well. A couple of decent acquisitions in the January transfer window added some much needed bodies to the squad, and the quality improved in the run-in. But the quality didn’t matter. All the Toon Army wanted was results. And now they’re back in the big time.

Mick Dennis mustn’t have slept well last night. The Daily Express hack was furious when Newcastle secured promotion, launching a tired and familiar attack on the Toon Army entitled Disloyal Newcastle Fans Still Deluded. Astonishingly, hilariously, Dennis claimed Newcastle fans were disloyal because they had ‘only’ sold 81 percent of their tickets this season.

Newcastle’s average attendance so far this season (before a sold out match against Ipswich on Saturday) is 42,987, the fourth-biggest in the country behind Manchester United, Arsenal and Manchester City, and bigger than the likes of Chelsea or Liverpool. But then statistics can prove anything, such as the fact that 99 percent of fellow journalists think Mick Dennis is a t***.

Dennis conjured from thin air the claim that Newcastle fans were clamouring for the return of Keegan or Shearer or both, and also found time to blame his apparent nemesis Shearer for the club’s decline. The Express website’s Have Your Say comment section was deluged with reasonable responses from Newcastle fans, before being shut down. Clearly it is Dennis who is ‘deluded’, not Newcastle fans.

A quick mention must also be made of Louise Taylor, who covers Newcastle for the Guardian and edits the official Sunderland magazine – a conflict of interests if ever one existed. Taylor seized upon the admittedly disgraceful training ground incident between Andy Carroll and Steven Taylor and attempted to use it to derail the promotion campaign. Hughton had failed to deal with the incident, she argued, and in any case, the team was being run by a cabal of players led by Kevin Nolan and Alan Smith. While there is no doubt some truth that the senior players have worked alongside the inexperienced Hughton to drive the team forward, this was lazy sniping and her ‘journalism’ is best ignored.

I’m not linking to Dennis or Taylor’s pieces here. Instead read George Caulkin in The Times, who regularly offers a much more intelligent and informed view.

So now that promotion has been secured, and rare silverware has been won, what happens next? Despite a fantastic season in the Championship, the squad remains ill-suited for the Premier League. While some have improved, the truth is that many of the players have found their level in the Championship. Certainly, changes will be required.

Following the last promotion campaign, in 1993, then-manager Kevin Keegan ruthlessly dispatched star players such as David Kelly and Gavin Peacock, determining that they weren’t good enough to make the step up to the top flight. Does Hughton have such a ruthless streak? And does he have money to spend to buy replacements?

As always with Newcastle United, next season will undoubtedly be another rollercoaster ride. For now, sensibly, there will be no open top bus parade, no celebrations in the street. Top flight status has been restored, but the reputation of the club still requires some reparation. There is plenty of work to be done to re-establish Newcastle United as a top football club. But allow us a quiet cold drink. The Toon Army are back in the big time.

See more Newcastle United posts here.

Football Newcastle United, NUFC

This post originally appeared on Spotiguide.

A couple of weeks ago, Spotify launched its iPhone app v0.4, and after a couple of teething troubles, during which it was quickly upgraded to v0.4.1, it now looks stable enough to offer a quick review.

First up, for those who are new to Spotify for iPhone, here’s a run-down of what it does – which is basically pretty much everything the desktop client does. You’ve got instant streaming of the full catalogue over Wi-Fi and 3G, the ability to store 3,333 tracks in offline playlists, and fast syncing between mobile and desktop. Essentially, Spotify for mobile puts the entire Spotify catalogue into your pocket, making it instantly available in very high quality. So what does v0.4.1 add?

New features include the much-requested Last.fm scrobbling – a long-standing feature on the desktop client, and a refreshed look. A major addition is iPod integration, which uses tracks already stored in the iPhone’s iPod in Spotify playlists, saving memory and sync time. Also new is the ability to stream at low bandwidth (98kbs) when without a Wi-Fi signal. The new Starred feature allows you to star and save favourite albums and tracks.

The are also other small tweaks, such as the fact that the volume slider has been replaced by the iPhone’s master volume control, a restore feature that means the app restarts where it left off, and the ability to share tracks and open Spotify links direct from the browser and other apps.

Unfortunately, v0.4 was buggy, in some cases causing the app to hang or crash. To Spotify’s credit, they were quick to release v0.4.1, which fixes some of the problems. Some users are apparently still having problems with the iPod integration feature causing crashes. v0.4.1 allows this feature to be turned off until the bug can be properly fixed. I’ve not experienced this bug, but I have found a couple of other annoyances.

A major gripe is that, presumably due to the iPod integration, after updating you lose all of your offline content, and need to sync it all again. Depending on how many offline playlists you have this can take many hours. It was most likely necessary to accommodate the new features, but there should probably have been a warning issued before installation.

Secondly, it is still annoyingly difficult to add albums or tracks into new playlists. (For the record, you need to go to Playlists, click Edit, click ‘+’, create a new playlist, then search for the album or track to add.) It’s much easier to do this on the Symbian Spotify app.

Thirdly, the app seems slightly slower to respond. This could be because it seems to be constantly syncing offline content, but I’ll keep an eye on it and report back.

Another much-requested feature was the ability to listen to Spotify in the background while using other iPhone functions. Unfortunately Apple still don’t allow third party apps to do this, so v0.4.1 doesn’t offer a change. However, the word is that Apple’s forthcoming 4.0 iPhone OS will allow multitasking, and hopefully Spotify will be quick to update the app as a result.

Overall, although slightly flawed, Spotify for iPhone v0.4.1 remains an essential application, effectively rendering the iPod (and iTunes) obsolete. It’s free to download from the App Store, but you’ll need a Spotify Premium account to use it, which costs £9.99 a month.

Technology iPhone, Spotify